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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Thomson, Virgil	Master of distortion and exaggeration. [Review of a recital by Vladimir Horowitz, pianist, on 6 March 1942 at Carnegie Hall, performing J.S. Bach's toccata in C major, two Bach chorales, etc. The review appeared in the New York herald tribune on 7 March 1942]	[ce]Thomson			2014	191-193
	2.	Thomson, Virgil	Rhythmic grandeurs. [Review of a recital by Wanda Landowska, harpsichordist, on 21 February 1942 at Carnegie Hall, performing Bach's 'Goldberg' variations]	[ce]Thomson			2014	204-206
	3.	Thomson, Virgil	A shower of gold. [Review of a recital by Wanda Landowska, harpsichordist, on 21 October 1942 at Town Hall, New York City, performing Jean-Philippe Rameau's suite in E minor, Johan Jakob Froberger's Lament composed in London to dispel melancholy, and three works by J.S. Bach, including the partita in B-flat major. The review appeared in the New York herald tribune on 22 October 1942]	[ce]Thomson			2014	206-207
	4.	Thomson, Virgil	In tune, but not with the infinite. [Review of a recital by Isaac Stern, violin, and Alexander Zakin, piano, on 11 January 1944 at Carnegie Hall, performing, among other works, Beethoven's sonata no. 7 (op. 30, no. 2), Bach's partita in D minor, Vieuxtemps' concerto no. 5, and Debussy's sonata in G minor. The review appeared in the New York herald tribune on 12 January 1944]	[ce]Thomson			2014	222-223
	5.	Thomson, Virgil	Hymns of tribulation and rejoicing. [Review of a concert by the Bach Choir of Bethlehem, Ifor Jones, conductor, with the Moravian Trombone Choir, and members of the Philadelphia Orchestra, on 16 May 1942, as part of a two-day Bach Festival, at Packer Memorial Chapel, Lehigh University, Bethlehem, Pennsylvania. The concert included performances of Bach cantatas no. 19 (Es erhub sich ein Streit), 146 (Wir müssen durch viel Trübsal), and 180 (Schmücke dich, o liebe Seele), the motet, 'Komm, Jesu, komm' (BWV 229), the Magnificat, BWV 243, and part 4 of the Weihnachtsoratorium. Performers included T. Edgar Shields (organist), Gretchen Newhart Iobst (pianist), Ruth Diehl (soprano), Saida Knox (contralto), Hardesty Johnson (tenor), and Mack Harrell (baritone). The review appeared in the New York herald tribune on 16 May 1942]	[ce]Thomson			2014	230-231
	6.	Thomson, Virgil	Harvard fair but no warmer. [Review of a concert by the Harvard Glee Club and Radcliffe Choral Society, G. Wallace Woodworth, conductor, on 30 March 1941, at Town Hall, New York City, performing, among other works, Gustav Holst's Dirge for two veterans, Thomas Tallis's Lamentations of Jeremiah, William Byrd's 'Juustorum animae,' 'Dona nobis pacem' from the Mass in B minor by J.S. Bach, Constant Lambert's Rio Grande, the opening scene of Verdi's Otello, and choruses from Johann Strauss's La reine indigo. William W. Austin was the features soloist (piano). The review appeared in the New York herald tribune on 31 March 1941]	[ce]Thomson			2014	238-239
	7.	Thomson, Virgil	Transcriptions. [Originally published in the New York herald tribune on 4 June 1944 and subsequently published in The musical scene (1945)]	[ce]Thomson			2014	276-278
	8.	Thomson, Virgil	Wrestling and shadow boxing. [Review of a concert by the New York City Symphony, Leonard Bernstein, conductor, on 19 November 1945, at the New York City Center, performing J.S. Bach's Brandenburg concerto no. 3, Darius Milhaud's La création du monde, and Schumann's symphony no. 2. The review appeared in the New York herald tribune on 20 November 1945]	[ce]Thomson			2014	324-325
	9.	Thomson, Virgil	Money's worth. [Review of a recital by pianist Alexander Brailowsky, on 5 December 1945, at Carnegie Hall, performing the Bach-Busoni toccata and fugue in D minor, Hummel's Rondo favori, Liszt's sonata in B minor, Brahms's intermezzo in B-flat minor, the Mendelssohn-Rachmaninoff scherzo from A midsummer night's dream, Debussy's Reflets dans l'eau, Ravel's Toccata, and seven works by Chopin. The review appeared in the New York herald tribune on 6 December 1945]	[ce]Thomson			2014	336-337
	10.	Thomson, Virgil	The noble style. [Review of a recital by pianist Alexander Borovsky, on 17 March 1947 at Carnegie Hall, performing, among other works, the Bach-Liszt organ prelude and fugue, Beethoven's 32 variations on an original theme, Chopin's sonata in B-flat minor, two Messiaen preludes, Prokofiev's Danza and Sarcasm, two Rachmaninoff preludes, and Liszt's Sonnetto del Petrarcha no. 104 and Étude transcendante no. 10. The review appeared in the New York herald tribune on 18 March 1947]	[ce]Thomson			2014	337-338
	11.	Thomson, Virgil	In the first category. [Review of a recital by pianist Maryla Jonas on 7 December 1946, at Carnegie Hall, performing Handel's Passacaglia, Michelangelo Rossi's Andantino in G major, Haydn's Variations in F minor, W.F. Bach's Capriccio, Mozart's Rondo in D, Schubert's sonata no. 3 and impromptu no. 3, and six works by Chopin. The review appeared in the New York herald tribune on 8 December 1946]	[ce]Thomson			2014	340-341
	12.	Thomson, Virgil	Incomparable Chopin. [Review of a recital by pianist Guiomar Novaes on 26 October 1946, at Carnegie Hall, performing Chopin's sonata in B-flat minor and works by Bach, Scarlatti, Beethoven, Albéniz, Camargo Guarnieri, and Isador Philipp. The review appeared in the New York herald tribune on 27 October 1946]	[ce]Thomson			2014	341-342
	13.	Thomson, Virgil	Warm welcome. [Review of a recital by pianist Myra Hess on 12 October 1946, at Town Hall in New York City, performing Bach's French suite no. 5, Beethoven's Six variations on a theme in F major, op. 34 and the sonata in A-flat, op. 110, and Brahms's sonata in F minor. The review appeared in the New York herald tribune on 13 October 1946]	[ce]Thomson			2014	343-344
	14.	Thomson, Virgil	Too fast for brilliance. [Review of a recital by pianist of Simon Barere on 18 November 1946, at Carnegie Hall, performing, among other works, Bach's Chromatic fantasia and fugue, Liszt's Knomenreigen, the Gounod-Liszt waltz from Faust, and Chopin's Fantasie in F minor and Andante spianato et grande polonaise. The review appeared in the New York herald tribune on 19 November 1946]	[ce]Thomson			2014	346-347
	15.	Thomson, Virgil	Sound without fury. [Review of a recital by pianist Aleksandr Yuninskij on 17 January 1945, at Carnegie Hall, performing Schumann's Carnaval, six pieces by Chopin, and works by Scarlatti, Bach, Debussy, and Stravinsky. The review appeared in the New York herald tribune on 18 January 1945]	[ce]Thomson			2014	347-348
	16.	Thomson, Virgil	Young man, why so serious? [Review of a recital by pianist Webster Aitken on 20 January 1945, at Town Hall, New York City, performing Bach's Toccata in C minor, Mozart's Rondo in A minor, and Beethoven's 'Diabelli' variations. The review appeared in the New York herald tribune on 21 January 1945]	[ce]Thomson			2014	348-349
	17.	Thomson, Virgil	Intensity and brains. [Review of a recital by pianist, Rosalyn Tureck on 12 November 1945, at Town Hall, New York City, performing preludes and fugues from Bach's Well-tempered clavier, Mozart's sonata in C major, Beethoven's sonata no. 23, op. 57 ('Appassionata'), the Copland piano sonata, and Brahms's Variations and fugue on a theme by Handel. The review appeared in the New York herald tribune on 13 November 1945]	[ce]Thomson			2014	349-350
	18.	Thomson, Virgil	Young but not romantic. [Review of a recital by pianist Sidney Foster on 18 October 1944 at Carnegie Hall, performing the Bach-Liszt Organ fantasia and fugue, Brahms's Variations and fugue on a theme by Handel, five études by Chopin, Prokofiev's Valse from War and peace and Suggestion diabolique, Norman Dello Joio's Prelude: To a young musician, two Mexican dances by Paul Bowles, and three pieces by Liszt. The review appeared in the New York herald tribune on 19 October 1944]	[ce]Thomson			2014	351-352
	19.	Thomson, Virgil	Musical badminton. [Review of a recital on 8 November 1944, at Town Hall, New York City, by Vera Appleton and Michael Field, piano duo, performing works by Mozart, W.F. Bach, Bartók, Debussy, Anis Fuleihan, Khachaturian, Strauss, and Liszt. The review appeared in the New York herald tribune on 9 November 1944]	[ce]Thomson			2014	355-356
	20.	Thomson, Virgil	Costume party. [Review of a recital by Pierre Luboshutz and Genia Nemenoff, piano duo, on 26 January 1945, at Town Hall, New York City, performing works by Bach, Brahms, Schubert, Mendelssohn-Bartholdy, Boris Koutzen, Rossini, Grecaninov, and Wallingford Riegger. The review appeared in the New York herald tribune on 27 January 1945]	[ce]Thomson			2014	356-357
	21.	Thomson, Virgil	New high. [Review of a recital by Arthur Gold and Robert Fizdale, piano duo, on 15 February 1946, at Town Hall, New York City, performing J.C. Bach's Duetto in F major, Satie's Trois morceaux en forme de poire, the piano sonatas of Paul Bowles, Igor Stravinsky, and Alexei Haieff, Virgil Thomson's Five inventions, one of John Cage's Three dances for prepared piano, and three waltzes from Vittorio Rieti's Second Avenue waltzes. The review appeared in the New York herald tribune on 16 February 1946]	[ce]Thomson			2014	358-359
	22.	Thomson, Virgil	Definitive renderings. [Review of a recital by harpsichordist Wanda Landowska on 19 November 1944, at Town Hall, New York City, performing Couperin's Passacaille, Rameau's Gavotte and doubles in A major, Bach's French suite in E major, Mozart's sonata in D major (played on piano), the Vivaldi-Bach concerto in D major, and Bach's Italian concerto in F major. The review appeared in the New York herald tribune on 20 November 1944]	[ce]Thomson			2014	359-361
	23.	Thomson, Virgil	Strings bowed; strings plucked. [Review of a joint recital on 1 November 1944 at Kaufmann Auditorium of the 92nd Street YMHA, New York, by violinist Alexander Schneider and harpsichordist Ralph Kirkpatrick, performing two sonatas by Bach and three by Mozart. The review appeared in the New York herald tribune on 2 November 1944]	[ce]Thomson			2014	364-365
	24.	Thomson, Virgil	Good goods. [Review of a recital by Zino Francescatti, violinist, and Artur Balsam, piano, on 8 April 1947, at Carnegie Hall, performing Fauré's sonata in A major, Ravel's Berceuse and Tzigane, Bach's Chaconne, Stravinsky's Duo concertant, and three pieces by Fritz Kreisler. The review appeared in the New York herald tribune on 9 April 1947]	[ce]Thomson			2014	367-368
	25.	Thomson, Virgil	New era. [Review of a recital by Roman Totenberg, violinist, on 18 November 1944, at Carnegie Hall, performing Bach's sonata in E minor, Mozart's concerto in G major, Debussy's violin sonata, three new pieces by Lukas Foss ('Early song,' 'Dedication,' and 'Composer's holiday'), the Szymanowski-Kochanski Chanson polonaise, Paganini's Caprice no. 17, and two pieces by Pablo de Sarasate. Artur Balsam and Lukas Foss were accompanists for the recital. The review appeared in the New York herald tribune on 19 November 1944]	[ce]Thomson			2014	370-371
	26.	Thomson, Virgil	King of the gypsies. [Review of a recital by Tossy Spivakovsky, violinist, and Frank Glazer, piano, on 11 December 1946, at Carnegie Hall, performing Giovanni Battista Viotti's Adagio in E major, Beethoven's sonata no. 9, op. 47 ('Kreutzer'), Bartók's Four Rumanian folk dances, Copland's Ukulele serenade, Paganini's La campanella, three Chopin études in the violinist's own transcriptions, and two works by Bach. The review appeared in the New York herald tribune on 12 December 1946]	[ce]Thomson			2014	372-373
	27.	Thomson, Virgil	Majestic but inefficient. [Review of a concert by the Bach Choir of Bethlehem, Ifor Jones, conductor, with members of the Philadelphia Orchestra and E. Power Biggs, organist, on 18 February 1946, at Carnegie Hall, performing Bach's Mass in B minor, with soloists Ruth Diehl (soprano), Lilian Knowles (contralto), Lucius Metz (tenor), Calvin Marsh and Edwin Steffe (basses)]	[ce]Thomson			2014	424-426
	28.	Thomson, Virgil	In the royal style. [Review of a concert by the Collegiate Chorale, Robert Shaw, conductor, with a chamber orchestra and Ernest White, organist, on 28 January 1947, at Hunter College Auditorium, performing Bach's Mass in B minor, with soloists Anne McKnight and June Gardner (sopranos), Lydia Summers (contralto), Lucius Metz (tenor), and Paul Seymour Matthen (baritone). The review appeared in the New York herald tribune on 29 January 1947]	[ce]Thomson			2014	426-427
	29.	Thomson, Virgil	A touching occasion. [Review of a concert by the Baltimore Symphony Orchestra, Reginald Stewart, conductor, on 5 February 1947, at Carnegie Hall, performing Bach's fugue in C major and 'Kom süsser Tod', etc. The review appeared in the New York herald tribune on 6 February 1947.]	[ce]Thomson			2014	481-482
	30.	Thomson, Virgil	Modern piano playing. [Review of a recital by pianist Yvonne Léfébure, on 14 November 1948, at Town Hall, New York City, performing Mozart's fantasy in D minor, the Bach-Liszt prelude and fugue in A minor, etc. The review appeared in the New York herald tribune on 15 November 1948]	[ce]Thomson			2014	634-635
	31.	Thomson, Virgil	Beauty, distinction, mastery. [Review of a recital by violinist Nathan Milstein and pianist Artur Balsam on 17 November 1947, at Carnegie Hall, performing, among other works, Anton Stamitz's Adagio and Rondo, Bach's partita in D minor, etc. The review appeared in the New York herald tribune on 18 November 1947]	[ce]Thomson			2014	638-639
	32.	Thomson, Virgil	Violence and virtuosity. [Review of a recital by Erica Morini (violin) and Leon Pommers (piano) on 28 November 1947, at Carnegie Hall, performing Handel's Larghetto, the Vivaldi-Respighi sonata in D major, Bach's Chaconne, etc. The review appeared in the New York herald tribune on 29 November 1947]	[ce]Thomson			2014	640-641
	33.	Thomson, Virgil	Virtuoso makes music. [Review of a recital by Pierre Fournier (cello) and George Reeves (piano) on 13 November 1948, at Town Hall, New York City, performing Bach's Nun komm der Heiden Heiland and suite no. 6, etc. The review appeared in the New York herald tribune on 14 November 1948]	[ce]Thomson			2014	641-642
	34.	Thomson, Virgil	Brilliant and diffuse. [Review of a recital by Gregor Piatigorsky (cello) and Ralph Berkowitz (piano) on 19 March 1948, at Carnegie Hall, performing Boccherini's sonata in C major, Bach's prelude and fugue in C minor (from the cello suite no. 5 'Discordable'), etc. The review appeared in the New York herald tribune on 20 March 1948]	[ce]Thomson			2014	642-643
	35.	Thomson, Virgil	Gloomy masterpiece. [Review of a concert by the Philharmonic-Symphony Orchestra, Dimitri Mitropoulos, conductor, on 15 December 1949, at Carnegie Hall, performing Weber's overture to Der Freischütz, Bach's violin concerto in G minor, etc. The soloist was Joseph Szigeti (violin). The review appeared in the New York herald tribune on 16 December 1949]	[ce]Thomson			2014	676-678
	36.	Thomson, Virgil	Bach goes to church. [Review of a concert by the Cantata Singers, Arthur Mendel, conductor, with Ralph Kirkpatrick, harpsichord, and Heinz Arnold, organ, on 30 December 1940 at the Unitarian Church of All Souls, New York, performing J.S. Bach's Weinachtsoratorium, with soloists Rose Dirman (soprano), Jean Bryan (contralto), Donald Dame (tenor), and Paul Seymour Matthen (bass)]	[ce]Thomson			2014	69-70
	37.	Thomson, Virgil	Glorious organ-playing. [Review of a recital by organist Jeanne Demessieux on 22 March 1953, at Central Presbyterian Church, New York City, performing two of her own compositions and works by Bach, Händel, Liszt, and Dupré. The review appeared in the New York herald tribune on 23 March 1953]	[ce]Thomson			2014	839-840
	38.	Thomson, Virgil	Irresistible. [Review of a recital by violinist Nathan Milstein and pianist Artur Balsam on 14 December 1953, at Carnegie Hall, performing Bach's sonata in A minor, etc. The review appeared in the New York herald tribune on 15 December 1953]	[ce]Thomson			2014	867-868
	39.	Thomson, Virgil	Technique and taste. [Review of a recital by pianist Charles Rosen on 3 November 1953, at Town Hall, New York City, performing two Bach fugues; etc. The review appeared in the New York herald tribune on 4 November 1953.]	[ce]Thomson			2014	931-932
	40.	Page, Tim (ed.)	Virgil Thomson: Music chronicles, 1940-1954. Ed. Tim Page. - New York, NY: Library of America, 2014. xxi, 1177p. ISBN: 978-1-59853-309-5.	[ce]Thomson			2014	xxi, 1177p